Style Groups from which to build alternative programs

BACH FAMILY |
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I. |
C. P. E. Bach |
Trio in F Major, Wq. XX/163 (viola, bassoon, clavier) |
– or – |
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J. S. Bach |
Suite No. 1 in G major, BWV 1007 (viola) |
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– or – |
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Suite No. 5 in C minor, BWV 1011 (viola) |
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– or – |
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Viola da Gamba Sonata No. 3 in G Minor, BWV 1029 (viola, clavier) |
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II. |
J. S. Bach |
Aria: Wir rufen dich, from Cantata 119
(mezzo soprano, viola, bassoon, clavier) |
III. |
J. S. Bach |
Aria: Phoebus eilt mit schnellen Pferden ,from Cantata 202
(soprano, bassoon, clavier) |
– or – |
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Aria: Seufzer, Tränen, Kummer, Not, from Cantata 21 (soprano, clavier |
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– or – |
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Aria: Mein gläubiges Herze, from Cantata 68
(soprano, clavier) |
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I V. |
J. S. Bach |
Duet: Wir eilen mit schwachen, doch emsigen Schritten, from Cantata 78 (full ensemble) |
BAROQUE |
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I. |
G. F. Handel |
Trio Sonata in G Minor, HWV 393 (viola, bassoon, clavier) |
II. |
G. F. Handel |
Arias from Giulio Cesare in Egitto, HWV 17: |
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Piangerò la sorte mia (soprano, viola, bassoon, clavier) |
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Svegliatevi nel core (mezzo soprano, viola, bassoon, clavier) |
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III. |
J. S. Bach |
Duet: Wir eilen mit schwachen, doch emsigen Schritten, from Cantata 78 (full ensemble) |
CLASSICAL |
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I. |
W. A. Mozart |
Duet: Ah, perdona al primo affetto, from La Clemenza di Tito, KV 621 (full ensemble) |
II. |
W. A. Mozart |
Sonata in B-Flat Major, KV 570 (piano) |
– or – |
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| Sonatina in C Major, KV 439d (viola, piano) | ||
– or – |
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Sonata in B-flat Major, KV 196c (bassoon, piano) |
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– or – |
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| Sonata in B-flat Major, KV 368b (bassoon, piano) | ||
III. |
F. J. Haydn |
Scottish Folk Songs: The Love Story of Jenny (full ensemble) |
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The Whirling of the Spinning Wheel (Hoboken XXXI b:41) |
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Wandering Willie (Hoboken XXXI a:257 bis) |
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What Can A Young Lassie Do (Hoboken XXXI a:134 bis) |
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The Yellow Hair’d Laddie (Hoboken XXXI a:211) |
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BRAHMS |
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I. |
Capriccio in G Minor, Op. 116, No. 3 (piano) |
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II. |
Sonata in E-Flat Major, Op. 120, No. 2 (viola, piano) | |
– or – |
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Sonata in F Minor, Op. 120, No. 1 (viola, piano) |
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III. |
Gesänge, Op. 91 (mezzo soprano, viola, piano) |
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Gestille Sehnsucht |
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| Geistliches Wiegenlied | ||
– or – |
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Three Duets (soprano, mezzo soprano, piano) |
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Phänomen, Op. 61, No. 3 |
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Die Schwestern, Op. 61, No. 1 |
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| Weg der Liebe, Op. 20, No. 1 | ||
SCHUMANN |
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I. |
Märchenbilder, Op. 113 (viola, piano) |
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II. |
Spanisches Liederspiel, Op. 74; arranged by Albert Vinci (full ensemble) | |
ROMANTIC |
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I. |
L. Cherubini |
Ave Maria (full ensemble) |
– or – |
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J. Brahms |
Capriccio in G Minor, Op. 116, No. 3 (piano) |
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– or – |
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A. Scriabin |
Four Preludes from 24 Preludes, Op. 11 (piano) |
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| No.1 in C Major: Vivace No. 20 in C Minor: Appassionato No.13 in G Flat Major: Lento No. 14 in E Flat Minor: Presto |
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II. |
C. M. von Weber |
Scene from Euryanthe (soprano, viola, bassoon, piano) |
– or – |
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L. Cherubini |
Aria: Solo un pianto from Medea (mezzo soprano, bassoon, piano) |
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III. |
J. Brahms |
Sonata in E-Flat Major, Op. 120, No. 2 (viola, piano) |
– or – |
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Sonata in F Minor, Op. 120, No. 1 (viola, piano) |
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– or – |
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R. Schumann |
Märchenbilder, Op. 113, Mvts. 1 and 3 (viola, piano) |
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IV. |
A. Dvořák |
Duets: Klänge aus Mähren, Op. 32 (soprano, mezzo soprano, piano) |
| Freundlich lass uns scheiden, No. 4 Die Bescheidene, No. 8 Der kleine Acker, No. 5 Die Taube auf dem Ahorn, No. 6 |
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– or – |
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F. Mendelssohn |
Duets, Op. 63 (soprano, mezzo-soprano, piano) | |
| Herbstlied, No. 4 Abschiedslich der Zuvögel, No. 2 Maiglöckchen und die Blümlein, No. 6 |
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– or – |
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J. Brahms |
Three Duets (soprano, mezzo soprano, piano) |
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| Phänomen, Op. 61, No. 3 Die Schwestern, Op. 61, No. 1 Weg der Liebe, Op. 20, No. 1 |
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– or – |
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R. Schumann |
Spanisches Liederspiel, Op. 74; arranged by Albert Vinci (full ensemble) | |
FRENCH ROMANTIC AND IMPRESSIONIST |
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I. |
C. Saint-Saëns |
Duet: El Desdichado (soprano, mezzo soprano, piano) |
II. |
E. Chabrier |
L'invitation au voyage (soprano, bassoon, piano) |
III. |
M. Ravel |
Alborada del gracioso (bassoon, piano) |
– or – |
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T. Lalliet |
Fantaisie brillante, Op. 21 (bassoon, piano) |
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IV. |
G. Fauré |
Tarentelle, Op. 10, No. 2 (full ensemble) |
ENGLISH |
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I. |
R. Vaughan Williams | Suite for Viola and Orchestra, Group I (viola, piano) |
II. |
F. Bridge |
Three Songs, H 76 (mezzo soprano, viola, piano) |
III. |
F. Bridge |
Love went a-Riding (soprano, piano) |
IV. |
B. Britten |
Duet: Mother Comfort (soprano, mezzo soprano, piano) |
20th CENTURY AMERICAN |
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I. |
F. Mignone |
Valsas para Fagote Solo (bassoon) |
| Aquela Modinha que o Villa não Escreveu Valsa da Outra Esquina Valsa Improvisada Macunaíma |
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– or – |
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W. Osborne |
Rhapsody (bassoon) |
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– or – |
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B. Garfield |
Concert Etudes (bassoon) |
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II. |
C. M. Loeffler |
Quatre Poèmes, Op. 5 (mezzo soprano, viola, piano) |
– or – |
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S. Barab |
A Little Night Music (mezzo soprano, viola, piano) | |
III. |
B. Rogers |
Trio (viola, bassoon, piano) |
– or – |
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W. Presser |
Duo (viola, bassoon) |
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IV. |
Set of 3 to 4 Songs ( soprano, piano) from the following: |
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| D. Argento | from Six Elizabethan Songs | |
| Spring Diaphenia |
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E. Charles |
When I Have Sung My Songs |
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T. Pasatieri |
Beautiful The Days |
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J. J. Niles |
Reward |
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A. Copland |
Heart, We Will Forget Him |
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V. |
M. Griebling |
I'm Nobody (mezzo soprano, bassoon) |
VI. |
L. Kass |
Now’s The Time To Say Goodbye |
SACRED REPERTOIRE |
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I. |
L. Cherubini |
Ave Maria (full ensemble) |
II. |
G. Rossini |
Duet: Qui tollis from Petite Messe Solennelle (soprano, mezzo soprano, piano) |
III. |
G. Pergolesi |
Arias/Duets from Stabat Mater (soprano, mezzo soprano, clavier) |
IV. |
J. S. Bach |
Aria: Wir rufen dich, from Cantata 119 (mezzo soprano, viola, bassoon, clavier) |
V. |
J. S. Bach |
Aria: Seufzer, Tränen, Kummer, Not, from Cantata 21 (soprano, clavier) |
VI. |
J. S. Bach |
Aria: Mein gläubiges Herze, from Cantata 68 (soprano, clavier) |
VII. |
J. S. Bach |
Duet: Wir eilen mit schwachen, doch emsigen Schritten, from Cantata 78 (full ensemble) |